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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2226
Herbstauktionen 04.–05.10.2013
Rainer, Arnulf
Geb. 1929 Baden b. Wien.
Orange cross. Drypoint in colours. Numbered 10/35 lower left and signed lower right in pencil. Passepartout. Unframed. Verbal authentication: We would like to thank Mrs Clara Ditz, daughter of the artist, studio Arnulf Rainer, Enzenkirchen, for the verbal authentication, based on photos. Provenance: private collection Southern Baden.
Geb. 1929 Baden b. Wien.
Kreuz in Orange. Farbkaltnadelradierung. Kreuz aus stark verdichteten Strichen in Orange, sich zur linken und unteren Seite hin minimal auflösend. Mit Bleistift u.l. 10/35 num. und u.r. sign.
«Die Kruzifikationen nahmen in den 1950er Jahren ihren Anfang aus einer Beschäftigung mit der Mystik, der Kunstgeschichte und der Theologie des Kreuzes. Alle diese Bildwerke erheben nicht den Anspruch, eine spezifische Bildnerei für sakrale Räume zu sein. Sie stammen aus sehr persönlichen Wurzeln. Anlass war eine subjektive Betroffenheit, sowohl über Person, Ereignis als auch Idee des Kreuzes. Eine starke persönliche Faszination von Kreuz und Nacht gibt mir die Kraft für diese Werksetzung» (Auszug aus «Kruzifikationen» 1980).
Mündliche Echtheitsbestätigung: Wir danken Frau Clara Ditz, Tochter des Künstlers, Studio Arnulf Rainer, Enzenkirchen, für die mündliche Bestätigung der Echtheit, anhand von Photos.
Provenienz: Privatsammlung Südbaden.